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Thomas Wingfold, Curate

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LEOPOLD'S STORY.





While yet a mere boy, scarcely more than sixteen, Leopold had made acquaintance with the family of a certain manufacturer, who, having retired from business with a rapidly-gained fortune, had some years before purchased an estate a few miles from Goldswyre, his uncle's place. Their settling in the neighbourhood was not welcome to the old-fashioned, long-rooted family of the Lingards; but although they had not called upon them, they could not help meeting them occasionally. Leopold's association with them commenced just after he had left Eton, between which time and his going up to Cambridge he spent a year in reading with his cousins' tutor. It was at a ball he first saw Emmeline, the eldest of the family. She had but lately returned from a school at which from the first she had had for her bedfellow a black ewe. It was not a place where any blackness under that of pitch was likely to attract notice, being one of those very ordinary and very common schools where everything is done that is done, first for manners, then for accomplishments, and lastly for information, leaving all the higher faculties and endowments of the human being as entirely unconsidered as if they had no existence. Taste, feeling, judgment, imagination, conscience, are in such places left to look after themselves, and the considerations presented to them, and duties required of them as religious, are only fitted to lower still farther such moral standard as they may possess. Schools of this kind send out, as their quota of the supply of mothers for the ages to come, young women who will consult a book of etiquette as to what is ladylike; who always think what is the mode, never what is beautiful; who read romances in which the wickedness is equalled only by the shallowness; who write questions to weekly papers concerning points of behaviour, and place their whole, or chief delight in making themselves attractive to men. Some such girls look lady-like and interesting, and many of them are skilled in the arts that meet their fullest development in a nature whose sense of existence is rounded by its own reflection in the mirror of self-consciousness falsified by vanity. Once understood, they are for a sadness or a loathing, after the nature that understands them; till then, they are to the beholder such as they desire to appear, while under the fair outside lies a nature whose vulgarity, if the most thorough of changes do not in the meantime supervene, will manifest itself hideously on the approach of middle age, that is, by the time when habituation shall have destroyed the restraints of diffidence. Receiving ever fresh and best assurance of their own consequence in the attention and admiration of men, such girls are seldom capable of any real attachment, and the marvel is that so few of them comparatively disgrace themselves after marriage.

Whether it was the swarthy side of his nature, early ripened under the hot Indian sun, that found itself irresistibly drawn to the widening of its humanity in the flaxen fairness of Emmeline, or the Saxon element in him seeking back to its family--it might indeed have been both, our nature admitting of such marvellous complexity in its unity,--he fell in love with her, if not in the noblest yet in a very genuine, though at the same time very passionate way; and as she had, to use a Scots proverb, a crop for all corn, his attentions were acceptable to her. Had she been true-hearted enough to know anything of that love whose name was for ever suffering profanation upon her lips, she would, being at least a year and a half older than he, have been too much of a woman to encourage his approaches--would have felt he was a boy and must not be allowed to fancy himself a man. But to be just, he did look to English eyes older than he was. And then he was very handsome, distinguished-looking, of a good family, which could in no sense be said of her,--and with high connections--at the same time a natural contrast to herself, and personally attractive to her. The first moment she saw his great black eyes blaze, she accepted the homage, laid it on the altar of her self-worship, and ever after sought to see them lighted up afresh in worship of her only divinity. To be feelingly aware of her power over him, to play upon him as on an instrument, to make his cheek pale or glow, his eyes flash or fill, as she pleased, was a game almost too delightful.

One of the most potent means for producing the humano-atmospheric play in which her soul thus rejoiced, and one whose operation was to none better known than to Emmeline, was jealousy, and for its generation she had all possible facilities--for there could not be a woman in regard of whom jealousy was more justifiable on any ground except that of being worth it. So far as it will reach, however, it must be remembered, in mitigation of judgment, that she had no gauge in herself equal to the representation of a tithe of the misery whose signs served to lift her to the very Paradise of falsehood: she knew not what she did, and possibly knowledge might have found in her some pity and abstinence. But when a woman, in her own nature cold, takes delight in rousing passion, she will, selfishly confident in her own safety, go to strange lengths in kindling and fanning the flame which is the death of the other.

It is far from my intention to follow the disagreeable topic across the pathless swamp through which an elaboration of its phases would necessarily drag me. Of morbid anatomy, save for the setting forth of cure, I am not fond, and here there is nothing to be said of cure. What concerns me as a narrator is, that Emmeline consoled and irritated and re-consoled Leopold, until she had him her very slave, and the more her slave that by that time he knew something of her character. The knowledge took from him what little repose she had left him; he did no more good at school, and went to Cambridge with the conviction that the woman to whom he had given his soul, would be doing things in his absence the sight of which would drive him mad. Yet somehow he continued to live, reassured now and then by the loving letters she wrote to him, and relieving his own heart while he fostered her falsehood by the passionate replies he made to them.

From a sad accident of his childhood, he had become acquainted with something of the influences of a certain baneful drug, to the use of which one of his attendants was addicted, and now at college, partly from curiosity, partly from a desire to undergo its effects, but chiefly in order to escape from ever-gnawing and passionate thought, he began to make EXPERIMENTS in its use. Experiment called for repetition--in order to verification, said the fiend,--and repetition led first to a longing after its effects, and next to a mad appetite for the thing itself; so that, by the time of which my narrative treats, he was on the verge of absolute slavery to its use, and in imminent peril of having to pass the rest of his life in alternations of ecstasy and agony, divided by dull spaces of misery, the ecstasies growing rarer and rarer, and the agonies more and more frequent, intense, and lasting; until at length the dethroned Apollo found himself chained to a pillar of his own ruined temple, which the sirocco was fast filling with desert sand.






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