Thomas Wingfold, Curate
Home - George MacDonald - Thomas Wingfold, CurateTHOU DIDST NOT LEAVE.
The next day the curate found himself so ill at ease, from the reaction after excitement of various kinds, that he determined to give himself a holiday. His notion of a holiday was a very simple one: a day in a deep wood, if such could be had, with a volume fit for alternate reading and pocketing as he might feel inclined. Of late no volume had been his companion in any wanderings but his New Testament.
There was a remnant of real old-fashioned forest on the Lythe, some distance up: thither he went by the road, the shortest way, to return by the winding course of the stream. It was a beautiful day of St. Martin's summer. In the forest, if the leaves were gone, there was the more light, and sun and shadow played many a lovely game. But he saw them as though he saw them not, for fear and hope struggled in his heart, and for a long time prayer itself could not atone them. At length a calm fell, and he set out to return home, down the bank of the river.
Many-hued and many-shaped had been the thoughts, not that came to him from the forest, but that he had carried thither with him: through all and each of them, ever and again had come dawning the face of Helen, as he had seen it in church the day before, where she sat between her aunt and her cousin, so unlike either. For, to their annoyance, she had insisted on going to church, and to hers, they had refused to let her go alone. And in her face the curate had seen something he had never seen there until then,--a wistful look, as if now she would be glad to pick up any suitable crumb to carry home with her. In that dawn of coming childhood, though he dared not yet altogether believe it such, the hard contemptuous expression of Bascombe's countenance, and the severe disapproval in Mrs. Ramshorn's, were entirely lost upon him.
All the way down the river, the sweet change haunted him. When he got into the park, and reached that hollow betwixt the steep ferny slopes where he sat on the day with which my narrative opens, he seated himself again on the same stone, and reviewed the past twelve months. This was much such a day as that, only the hour was different: it was the setting sun that now shone upon the ferns, and cast shadows from them big enough for oaks. What a change had passed upon him! That day the New Testament had been the book of the church--this day it was a fountain of living waters to the man Thomas Wingfold. He had not opened his Horace for six months. Great trouble he had had; both that and its results were precious. Now a new trouble had come, but that also was a form of life: he would rather love and suffer and love still, a thousand times rather, than return to the poverty of not knowing Helen Lingard; yet a thousand times rather would he forget Helen Lingard than lose from his heart one word of the Master, whose love was the root and only pledge and security of love, the only power that could glorify it--could cleanse it from the mingled selfishness that wrought for its final decay and death.
The sun was down ere he left the park, and the twilight was rapidly following the sun as he drew near to the Abbey on his way home. Suddenly, more like an odour than a sound, he heard the organ, he thought. Never yet had he heard it on a week-day: the organist was not of those who haunt their instrument. Often of late had the curate gazed on that organ as upon a rock filled with sweet waters, before which he stood a Moses without his rod; sometimes the solemn instrument appeared to him a dumb Jeremiah that sat there from Sunday to Sunday, all the week long, with his head bowed upon his hands, and not a Jebusite to listen to him: if only his fingers had been taught the craft, he thought, how his soul would pour itself out through the song-tubes of that tabernacle of sweetness and prayer, and on the blast of its utterance ascend to the throne of the most high! Who could it be that was now peopling the silence of the vast church with melodious sounds, worshipping creatures of the elements? If the winds and the flames of fire are his augels, how much more the grandly consorting tones of the heavenly organ! He would go and see what power informed the vaporous music.
He entered the church by one of the towers, in which a stair led skyward, passing the neighbourhood of the organ, and having a door to its loft. As he ascended, came a pause in the music;--and then, like the breaking up of a summer cloud in the heavenliest of rain-showers, began the prelude to the solo in the Messiah, THOU