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A GREATER DISCOVERY.
In the middle of the night he was wakened by a loud noise. Its
nature he had been too sound asleep to recognize; he only knew it
had waked him. He sprang out of bed, was glad to find his father
undisturbed, and stood for a few moments wondering. All at once he
remembered that he had left the windows of the best bedroom open;
the wind had risen, and was now blowing what sailors would call a
gale: probably something had been blown down! He would go and see.
Taking a scrap of candle, all he had, he crept down the stair and
out to the great door.
As he approached that of the room he sought, the faint horror he
felt of it when a boy suddenly returned upon him as fresh as ever,
and for a moment he hesitated, almost doubting whether he were not
dreaming: was he actually there in the middle of the night? But,
with an effort he dismissed the folly, was himself again, entering
the room, if not with indifference yet with composure. There was
just light enough to see the curtains of the terrible bed waving
wide in the stream of wind that followed the opening of the door.
He shut the windows, lighted his candle, and then saw the door he
had set up so carefully flat on the floor: the chair he had put
against it for a buttress, he thought, had not proved high enough,
and it had fallen down over the top of it. He placed his candle
beside it, and proceeded once more to raise it. But, casting his
eyes up to mark the direction, he caught a sight which made him lay
it down again and rise without it. The candle on the floor shone
halfway into the passage, lighting up a part of one wall of it, and
showing plainly the rough gray stones of which it was built.
Something in the shapes and arrangement of the stones drew and
fixed Cosmo's attention. He took the candle, examined the wall,
came from the passage with his eyes shining, and his lips firmly
closed, left the room, and went up a story higher to that over it,
still called his. There he took from his old secretary the
unintelligible drawing hid in the handle of the bamboo, and with
beating heart unfolded it. Certainly its lines did, more or less,
correspond with the shapes of those stones! He must bring them face
to face!
Down the stair he went again. It was the dead of the night, but
every remnant of childhood's awe was gone in the excitement of the
hoped discovery. He stood once more in the passage, the candle in
one hand, the paper in the other, and his eyes going and coming
steadily between it and the wall, as if reading the rough stones by
some hieroglyphic key. The lines on the paper and the joints of the
stones corresponded with almost absolute accuracy.
But another thing had caught his eye--a thing yet more promising,
though he delayed examining it until fully satisfied of the
correspondence he sought to establish: on one of the stones, one
remarkable neither by position nor shape, he spied what seemed the
rude drawing of a horse, but as it was higher than his head, and
the candle cast up shadows from the rough surfaces, he could not
see it well. Now he got a chair, and, standing on it, saw that it
was plainly enough a horse, like one a child might have made who,
with a gift for drawing, had had no instruction. It was scratched
on the stone. Beneath it, legible enough to one who knew them so
well, were the lines--
catch your Nag, & pull his Tail
in his hind Hele caw a Nail
rug his Lugs frae ane anither
stand up, & ca' the King yer Brither
How these directions were to be followed with such a horse
astheoneon the flat before him would be scanned! Probably the wall
must be broken into at that spot. In the meantime he would set up
the door again, and go to bed.
For he was alarmed at the turmoil the sight of these signs caused
in him. He dreaded POSSESSION by any spirit but the one. Whatever
he did now he must do calmly. Therefore to bed he went. But before
he gave himself up to sleep, he prayed God to watch him, lest the
commotion in his heart and the giddiness of hope should make
something rise that would come between him and the light eternal.
The man in whom any earthly hope dims the heavenly presence and
weakens the mastery of himself, is on the by-way through the meadow
to the castle of Giant Despair.
In the morning he rose early, and went to see what might be
attempted for the removing of the stone. He found it, as he had
feared, so close-jointed with its neighbours that none of his tools
would serve. He went to Grizzie and got from her a thin old knife;
but the mortar had got so hard since those noises the servants used
to hear in the old captain's room, that he could not make much
impression upon it, and the job was likely to be a long one. He
said to himself it might be the breaking through of the wall of his
father's prison and his own, and wrought eagerly.
As soon as his father had had his breakfast, he told him what he
had discovered during the dark hours. The laird listened with the
light of a smile, not the smile itself, upon his face, and made no
answer; but Cosmo could see by the all but imperceptible motion of
his lips that he was praying.
"I wish I were able to help you," he said at length.
"There is na room for mair nor ane at a time, father," answered
Cosmo; "an' I houp to get the stane oot afore I'm tired. You can be
Moses praying, while I am Joshua fighting."
"An' prayin' again' waur enemies nor ever Joshua warstled wi',"
returned his father; "for whan I think o' the rebound o' the
spirit, even in this my auld age, that cudna but follow the mere
liftin' o' the weicht o' debt, I feel as gien my sowl wad be
tum'led aboot like a bledder, an' its auld wings tak to lang slow
flaggin' strokes i' the ower thin aether o' joy. The great God
protec' 's frae his ain gifts! Wi'oot him they're ten times waur
nor ony wiles o' the deevil's ain. But I'll pray, Cosmo; I'll
pray."
The real might of temptation is in the lower and seemingly nearer
loveliness as against the higher and seemingly farther.
Cosmo went back to his work. But he got tired of the old knife--it
was not tool enough, and had to fashion on the grindstone a
screw-driver to a special implement. With that he got on better.
The stone,--whether by the old captain's own' hands, his ghost best
knew--was both well fitted and fixed, but after Cosmo had worked at
it for about three hours his tool suddenly went through. It was
then easy to knock away from the edge gained, and on the first
attempt to prize it out, it yielded so far that he got a hold with
his fingers, and the rest was soon done. It disclosed a cavity in
the wall, but the light was not enough to let him see into it, and
he went to get a candle.
Now Grizzie had a curious dislike to any admission of the poverty
of the house even to those most interested, and having but one
small candle-end left, was unwilling both to yield it, and to
confess it her last.
"Them 'at burns daylicht, sune they'll hae nae licht!" she said.
"What wad ye want wi' a can'le? I'll haud a fir-can'le to ye, gien
ye like."
"Grizzie," repeated Cosmo, "I want a can'le."
She went grumbling, and brought him the miserable end.
"Hoot, Grizzie!" he expostulated, "dinna be sae near. Ye wadna,
gien ye kenned what I was aboot."
"Eh! what are ye aboot, sir?"
"I'm no gaein' to tell ye yet. Ye maun hae patience, an' I maun hae
a can'le."
"Ye maun tak what's offert ye."
"Grizzie, I'm in earnest."
"'Deed an' sae am I! Ye s' hae nae mair nor that--no gien it was to
scrape the girnel--an' that's dune lang syne, an' twise ower!"
"Grizzie, I'm feart ye'll anger me."
"Ye s' get nae mair!"
Cosmo burst out laughing.
"Grizzie," he said, "I dinna believe ye nae an' inch mair can'le i'
the hoose!"
"It needs na a Warlock to tell that! Gien I had it, what for sud na
ye hae't 'at has the best richt?"
Cosmo took his candle, and was as sparing of it as Grizzie herself
could have wished.
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